In an age of routers and precision machines, for this project, I decided to go back to the fundamentals. Today, I’m inlaying these decorative bow ties using nothing but a mallet and a set of chisels. It’s a delicate, deliberate process, and I documented every step in my Colorado workshop.
Preparation is Everything
I started with the wenge bow ties themselves, cut to shape, but rough from the saw. My first task was deciding which side would face up, marking each one with an arrow to ensure consistent grain orientation.
Then, I placed each one in a vice and introduced a very slight bevel—no more than half a degree—to all sides. This subtle wedge shape is crucial; it ensures a tight fit when driven in, but a bevel that’s too sharp could easily split the workpiece. This step also cleanly removed the saw marks, leaving a smooth, ready-to-fit piece.
With the bow ties prepped, I laid them out on the cracked Mesquite live-edge slab of wood to find the perfect placement. Once satisfied, I secured them with double-sided tape, bevel-side down. This held them perfectly still for the next critical phase: tracing the outline.
Cutting the Line: A Delicate Operation
Using a marking knife that’s flat on one side, I carefully scored around each bow tie. I worked from both sides with light, gentle cuts. Why? Because if the knife catches the grain, it can pull away from the line. More importantly, by working inward from both ends, I avoid slipping and gouging the surrounding wood—a mark that would be nearly impossible to sand out.
With the outline clearly defined, I dropped my chisel into the line and gave it a light tap with the mallet. This wasn’t to cut, but to “set” the line, making it more visible. You must be gentle here; driving a tapered chisel too hard can push the grain out and ruin the chance for a tight fit.
Excavating the Pocket: Patience and Strategy
Now for the excavation. I started my cuts about a sixteenth of an inch inside the outline, carefully protecting that final boundary. I began by working across the grain, as chiseling with the grain first could split the wood.
Removing the bulk of the material requires a flat bottom, and while a router plane is perfect for that, my pocket was too small. Instead, I used the chisel itself, bevel-down, to carefully pare the bottom flat. This takes practice, but it’s incredibly effective.
I was especially conservative near the edges of the slab, where the wood is fragile. A misplaced hit could split a large chunk right off. Only when I reached the center did I feel comfortable being more aggressive.
The Test Fit: A Moment of Truth
Once I was down to the proper depth—checked by fingernail and measurement—I began the final, most precise cuts. I worked my way back to the knife line, splitting it with the chisel to avoid mushrooming the edges. Finally, I dropped the chisel straight down on the line to clean up the walls.
For the first test fit, I didn’t hammer it home. I simply placed the bow tie in the pocket to see how it sat. If it’s too tight, the wedge shape can split the side of the pocket. I looked for high spots and checked the walls for squareness. A common mistake is to see a gap and assume you need to remove more wood, when often the wall itself is sloped, pushing the bow tie out and creating the illusion of a poor fit.
A quick trick for chiseling square walls? Hold a square next to your chisel as a guide. It’s a great training wheel until you develop the muscle memory.
The Final Act: Glue and Finishing Touches
Before gluing, I meticulously cleaned out all the debris from the pocket. You don’t want dust in the crack or under the bow tie. I even had to repair a tiny splinter on the edge with a drop of CA glue—a quick fix that makes all the difference.
Then, it was time for the main event. I applied standard wood glue to the pocket, avoiding the visible crack itself to minimize cleanup. With the bow tie aligned (arrows pointing the right way!), I used a block and a mallet—my “Persuader”—to tap it in with even pressure. You know it’s seated when the sound of your strikes changes.
After letting the glue set, I planed the bow tie flush with the surface. A little sanding revealed the final result: a perfectly tight bow tie with no visible gaps. This is just the raw wood; once we apply a finish to make the colors pop, it’s going to look pretty sweet. It’s proof that with patience and a sharp chisel, you don’t always need a power tool to create a beautiful floating shelf.
In this episode, I designed and built a Craftsman-style fireplace mantel for a client in Colorado Springs. The mantel was made from hickory and stained to match some of the other millwork in the house.
I recently completed an asymmetrical shelf unit for a client, and let me tell you, it was one of those projects that looks simple on the surface but requires serious attention to detail from start to finish.
I have installed Door locks of all varieties over the years, from different setback to full mortise locks. In this episode, I show how to install a door lock and deadbolt set for my custom copper door project. This was a custom door for a client in Evergreen, Colorado, just outside of Denver.
Crafting a live-edge walnut table inspired by the legendary woodworker George Nakashima. The build combines traditional joinery techniques with modern tools, resulting in a piece that balances elegance and functionality. Here’s how I brought this table to life for my Denver Client.
I built a Craftsman-style bench with storage. The design cues for this bench came from my client's Denver home, which was built in the craftsman style. Specific details I pulled from their home were the rope molding corresponding to the rope bolding in the wainscotting.
In this episode, I build a platform bed with a sheepskin headboard for a Colorado Springs Client. The bed is made from walnut and features four floating shelves attached to the headboard. Each side of the bed has an integrated reading light.
In this episode, I build a Custom walnut vanity with a live-edge backsplash. This Colorado Springs client wanted a contemporary floating custom vanity with some rustic appeal. To accomplish this, we created a vanity with a beautiful contemporary look and added a live-edge backsplash to give it that Mountain Modern look.
This is a memorial box for a little girl who passed from epilepsy. Her name is Clair, and the nurses who cared for her called her Clair Bear, so we decided an appropriate inlay was bear. Each piece of wood was selected for its natural color to tell the story and was inlayed by hand.
In this episode, I build a custom asian inspired keepsake box. The Keepsake box sides are made from bamboo, and the top and legs are cherry. If you are into woodworking and want to make this box, I do have "How To Plans" available for this project.
A client needed a place to display his grandfather's shaving kit and a few other collectibles. Here's how I designed and built the floating shelves to hold them.
In this episode, I help a Colorado Springs Client remodel their staircase. The existing staircase was a straight run with an outdated style. I redesigned it to have open-ended steps with a craftsman handrail.
In this episode, I build a custom entry table with walnut cuffs. The main table is made from cherry, and the feet are adorned with decorative walnut cuffs.
Today's project is more than just building a pendant lamp. I really believe that to continue growing as an artist, you have to always be experimenting, trying new techniques, and working in new mediums.
Building a custom rustic steel dining table base, from welding and acid treatment to creating unique rust patinas with vinegar and finishing with weighted concrete for stability
Today's project is to build a decorative wooden ice bucket for a bar cart I constructed earlier. This isn't a functional piece meant to hold water; it's a prop, designed solely to add visual interest and character to my home bar setup.
building a sculptural two-moon coat rack, from grain-matched bandsaw cuts and CNC joinery fixtures to hand-shaped hooks and a hidden wall-mount system.
A while ago, I built a barn door with a steel frame that encased the wood for a client in Denver, Colorado. It turned out great, but one question kept coming up: How did I keep the bottom of the door from swinging around? Most barn door hardware kits include a T-track that gets screwed into the floor, with a slot routed into the bottom of the door for guidance. But since my door had a steel base, routing a groove wasn’t an option.